Review – Tamar Broadbent’s Get Ugly! – Edinburgh Fringe 2017

Get Ugly - courtesy of Rebecca Pitt

It’s not often that you find a one woman show which is so hashtag relatable (sorry) to 21st century life, but Tamar Broadbent’s Get Ugly definitely manages it. The show mixes stand up comedy and musical theatre style songs to create a fluid show which certainly entertained many different audiences during this year’s festival.

The first thing that struck me upon entering the space was how intimate it was. At this Wednesday afternoon performance there was an audience of around 20-25 people, all facing the small stage area on which Tamar performed – although the aforementioned stage was already partially occupied by a keyboard! Tamar herself welcomed us into the room which was a nice touch – I liked the fact that the performer/audience divide was blurred before the show had even begun, and this was a trend which continued throughout the performance – I very much felt like the audience were Tamar’s new friends, which was such a nice relationship to form within the space of an hour.

The show features several clever and amusing songs about modern day life, specifically focusing on female problems and dating. I particularly enjoyed the musical take on the concept of ‘Facebook suicide’ and the song about dating featuring a male audience member playing the recorder was a hilarious touch. However, these comedic songs were juxtaposed by a heartfelt number about Tamar’s sister, which balanced out the audience’s emotions towards the end of the show.

The target audience is primarily young (single) women, which is understandable given that this is the demographic that Tamar herself falls into, meaning that there were some jokes and songs which were not particularly relevant to certain audience members – but this is surely unavoidable when the material has been written by one individual and is very much rooted in personal experience. But the fact that the show is so rooted in personal experience is definitely a good thing, as it makes it more authentic and real, contributing to the intimate feel of the piece which was apparent from the moment that the audience entered the performance space.

I got the feeling that Get Ugly is a show which changes every single day, depending on who happens to be in the audience – and that’s such a healthy and interesting way to approach a one woman show. It was certainly nice when Tamar referred to us as ‘a very nice Wednesday afternoon audience’, and it was such an awesome feeling to know that we, as a collective, were witnessing a show which would never be performed exactly as we saw it again. I suppose that’s the joy of a solo show in a small performance space – the audience and performer both get so much out of it.

Tamar Broadbent’s Get Ugly is such a perfect show for the Fringe. It’s interesting and constantly engaging, and I’m sure that every audience member was able to relate to and laugh about at least one 21st century first world problem! The venue, while small, is the perfect place for the show, and Tamar’s endearing, likeable and hilarious personality really shines through both her stand up comedy and her original songs. I can’t wait to see where she takes the show next.

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